By Green, André; Winnicott, Donald Woods; Abram, Jan
Regardless of being one of many most appropriate psychoanalysts operating this present day, a lot of Green's paintings has until eventually lately been unavailable in English. This paintings goals to rectify this, via amassing jointly 5 lectures given to the Squiggle beginning in London. This available and obviously written ebook presents a different creation to Green's paintings and its relation to the paintings of D.W. Winnicott, as promoted via the Squiggle origin itself. 116 pages. Read more...
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Extra resources for André Green at the Squiggle Foundation
We can see the difference with projection, where what is perceived as coming from outside is, instead, something that has happened inside. In my description, a double identity is settled, which establishes a link between the relationship of oneself to oneself and the relationship of oneself to an Other. This could form the basis of a psychoanalytic concept of metaphor, without one having to think of an established separation between what is felt as "me" and what is felt as the "Other". Because the important thing here is the journey, the "transportation", so to speak, even if the internal and the external spaces have not found definite boundaries yet.
No one, however, discusses the importance of the unconscious fraction of the ego, and the part played by the instinct in the construction of the object is currently questioned for a great variety of reasons. The role of the object, in the constitution of the ego (through the exchanges between the two), is emphasized, and agreed upon, by almost all authors. But we are still lacking the details of this interaction and the form taken by the outcome. So we now face a difficulty: we have to think in terms of the ego that is subjected to the effects of the object, since that which elaborates any knowledge about the object is itself a weft, woven (at least partially) from its exchanges with the object.
The presentation of the object is not the figure of the object, nor its shape, nor the image of the object. What I am calling a "framing structure" is very close, I think, to what Winnicott described as "holding". In holding, it is internalization that is important, and that comes about through the absence of the object and the traces that are left behind and internalized. The presentation of the object is also close to what Bion would call a "container". I have tried to give a more complete view of Freud's model of hallucinatory wish-fulfilment.
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