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By Van Pelt John Vredenburgh 1874-1962

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Additional info for A Discussion of Composition, Especially as Applied to Architecture

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The Art Building and Machinery Hall of a World's Fair would exemplify this. Here unity would be attained by making all the buildings of the fair in keeping with uses, the idea of the progress of the world and illustrative of the temporariness of th^t to be used for only a limited space of time. (&) Style art. is Unity op Style. the imprint a particular epoch makes on UNITY OF STYLE. If then, tlie tlie 49 elements of one style are introduced in expression of a different one, discord will evi- We migM dently result.

Characteristic of Only that produced by an artist who takes pleasure in his. creation, will be good; in essence, that will always be good. In one of the arches of the Cour Du Murier in is a bronze Ecole des Beaux Arts at Paris the figure, half finished, the fingers merely blocked out. But a and other spirit of life details pervades the bowed head, and draws one for a second look. Learning that the sculptor was only a student one wonders whence came the genius that could give so young a man such strength.

If then, tlie tlie 49 elements of one style are introduced in expression of a different one, discord will evi- We migM dently result. acter, for call this a fault of char- such an element bears the mark of the charof acteristics age, its entirely foreign to that of Thus an Egyptian column another age. in a Renais- sance hall room, or a Renaissance motive in a Grothic church, will always be as oil and water to each other. this that an architect may not same composition motives inspired from different styles, provided he does it logically.

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